Tag Archives: aitkenhead

Summertime Photos of Green Acres Lanark – 1950s — Part 1– Aitkenhead Collection

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These are from the Millie Aikenhead photo group from the 50s. There are two parts to this. The photos were very very curlybut did the best I can.

Carol Donovan July 1951

Horse on road to Green Acres

Marion Millie red and rascal

Marion Millie and Rascal

Millie

Green Acres

Marion Ardley, The Swimmer at Green Acres

Brian Ardley and Millie Aitekenheadat Green Acres on the rock.

Marion and Elsie at Green Acres

The Aitkenhead Bakery Fire 1971

Before there was Baker Bob’s There was The Almonte Bakery

Hog’s Back Falls Ottawa –Aitkenhead Photo Collection

How to Make a Vintage Apron- Aitkenhead Photo Collection

Old fashioned Raisin Bread WITH ZEST

The Bakeries and Frame Houses of Lower Wellington Street – Aitkenhead

No Banker Left Behind – Bank of Montreal Almonte Photos

Down by the Mississippi River- Almonte Falls Photos 50s

What Happened to the House and Family on Frank Street –Part 1

The Aitkenhead Family at 20 Frank Street in Carleton Place

Before there was Baker Bob’s There was The Almonte Bakery

Hog’s Back Falls Ottawa –Aitkenhead Photo Collection

Photos of the Orange Parade Almonte 1963 — Name that Band?

The Aitkenhead Bakery Fire 1971

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The Aitkenhead Bakery Fire 1971

1971

A fire that broke out about 4:30 last Thursday afternoon seriously damaged the Almonte Bakery on Queen Street. Firemen fought the blaze for over an hour before it was brought under control. The fire, which broke out under a stairway at the rear of the oven, gutted the baking area and kitchen and caused considerable damage to an upstairs apartment and the roof. A garage adjacent to the rear of the shop was also damaged as was the house next door belonging to Mr. and Mrs Frank Vetter.

Firemen of the Almonte Fire Department, however, kept the blaze from spreading. Cause of the fire was not immediately known. Made temporarily homeless by the blaze were Mr. and Mrs. Robert Aitkenhead Sr., proprietors of Almonte Bakery and daughter, Mildred Aitkenhead. Mr. Aitkenhead was taken through a window on the second floor by his son Bob when they were trapped by the flames.

Marion and Mildred Aitknhead and Ruthie Burnside April 9 1930 20 Frank Street Carleton Place

Aitkenhead – The Almonte Bakery Ontario,Queen Street 1969 (Look at the building across the street)

He was assisted by Boyd Jamieson and Gordon Donaldson who rushed over from the Co-op store with a 32 foot ladder. Mr. Aitkenhead had not been feeling well and was in bed when the fire started. Only quick thinking on the part of all concerned averted a tragedy. He was treated at Almonte General Hospital for smoke inhalation and released.The family’s pet dog was dropped out the second floor window into the arms of a bystander. She quickly made tracks for parts unknown but was at the door again the next morning. No estimate of damage is yet available but at the present time Mr. Aitkenhead plans on re-opening the business as soon as repairs can be completed.

The Aitkenhead family have operated the bake shop for the past 24 years. Although the history of the building is somewhat clouded, it has been both a bake shop and a private home at various times in its past. The Vetter home next door which was also threatened is one of Almonte’s older landmarks, its age being well over the century mark. April 1971

Before there was Baker Bob’s There was The Almonte Bakery

Hog’s Back Falls Ottawa –Aitkenhead Photo Collection

How to Make a Vintage Apron- Aitkenhead Photo Collection

Old fashioned Raisin Bread WITH ZEST

No Banker Left Behind – Bank of Montreal Almonte Photos

Down by the Mississippi River- Almonte Falls Photos 50s

What Happened to the House and Family on Frank Street –Part 1

The Aitkenhead Family at 20 Frank Street in Carleton Place

Before there was Baker Bob’s There was The Almonte Bakery

Hog’s Back Falls Ottawa –Aitkenhead Photo Collection

Photos of the Orange Parade Almonte 1963 — Name that Band?

The Bakeries and Frame Houses of Lower Wellington Street – Aitkenhead

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The Bakeries and Frame Houses of Lower Wellington Street – Aitkenhead

This was the store and express headquarters of the late Jasper Jessel Hitmore, on the north side ef Wellington street near the corner ef Lyon in the block which will become new government building and courts. In the 1870s this house is one of a type which represented Wellington street as it used to look between the forties and seventies. In the picture are seen (left to right) James Wigmore, Mrs. Jasper Wigmore. Jasper Wigmore, “Dad” and James Currell, who worked for Mr. Wigmore. 

Ottawa in color on lower Wellington street around Pooley s bridge was a regular beehive of Industry. Moreover, it is the story of bread that essential of life. In Ottawa prior to the Introduction of dough machines. It Is the story of the old Ottawa, bakers.

The narrator is Mr. George J. Aitkenhead of Omaha, Nebraska, started his apprenticeship as a baker with his father in the 1870s went to Ottawa in the early 1880s, where he engaged in the same with R. E. and J. C. Jamieson, one of the leading bakery firm of period, whose place of business was on the south side of Wellington street, just west of Pooley Bridge. In later years Mr. Aitkenhead was in business for himself on McLeod street. George Aitkenhead was born in Glasgow, Scotland when young Aitkenhead (he was twenty-four then) landed in Ottawa with but $2 50 in his jeans and no immediate prospect of work. For several days he tramped the streets the Capital in search of employment, having in the meantime secured temporary lodgings at the home of Mr. Joseph Pageau on Lett street. Finally, after many discouraging calls, tempered with many kind ad- monitions not to be discouraged, he landed a job with the Jamieson firm.

Aitkenhead Bakery deliveries- lower end of Wellington street Ottawa from the Aikenhead photo collection of which I preserve.

He worked in the shop twelve hours a day for seven dollars a week. Young Aitkenhead found that Canadian and Scottish bakery methods were considerably different and that the laws pertaining to the same were also different. In Scotland the bakeries had only been run in the daytime. He found that here, on the contrary, all bakers worked at night. He was obliged to report at twelve midnight and remain on the job until noon the next day.

When Mr. Aitkenhead left Scotland, the bakers were still kneading the dough with their hands. He found the practice the same here in that respect (machinery did not come in till about 1887). But things were different in styles of bread manufacture. For instance in Glasgow and other parts of Scotland, pans were not used and the loaves were laid side with the side of each loaf being greased with lard to make it part easily. The result was a series of loaves, with crust only on the tops and bottoms. In Ottawa the only loaves that were anything like Scotch ioaves were the so-called “split loaves,” or twin loaves, which had crust all over except on the parted side. 

Then, too, the bread ovens in Scotland hsd stone bottoms. In Ottawa the bottoms were made of brick. Many people in those days liked bread baked on oven bottoms (not tins and as a consequence the bakers turned out what was known fancy or scone bread). The “twist” loaf, pointed at each end, and the cottage” loaf were popular styles. The “cottage” loaf might best be described aa a small round loaf on top of a large round loaf.

One of Mr. Aitkenhead’s recollections of the lower end of Wellington street the 1880s and nineties is one which my come as a surprise to the younger generations. In those days the high cliff overlooking Wellington street south of Pooley’s bridge sheltered a collection of buildings– allof which were frame.

These buildings housed Samuel Johnson’s blacksmith shop. Robert Lennox’s carriage ship, the family of John Atkinson and last, but by no means least, that dear old person of revered memory John Lucy, who kept a stationery store, Ottawa division of the C.P.R.; and the corner of Lett and Wellington was the home of Fred. W. Carling, then a clerk in the employ of the Carling Brewing and Malting Company, whose works were on the southside of Albert street, adjoining the old Orand Opera House.

Aitkenhead homes- lower end of Wellington street Ottawa from the Aikenhead photo collection of which I preserve.

In those days William A. Jamieson conducted a drug store on the south side of Wellington, at the corner of Commissioner, which was well patronized by the farmers on their way to and from the market. Next to Jamieson ‘s drug store was James boots-Marshall’s shoemaker shop, Post office of which was the meeting place of the, sound advice to all and then Jamieson’s bakery and next to the bakery was the home of Dr. H. P. Small. A few doors up the street Tom Kennedy kept a small hotel and the balance ot tne block tended to stray from the straight and narrow path.

These houses used to make Wellington street form a dangerous bottle neck at Pooley’s bridge, so a good many years ago City Council bought the property, swept the buildings away and widened. Many of the old buildings which stood in the block on Wellington street between Commissioner and the bread shops move to different locations.

CLIPPED FROMThe Ottawa CitizenOttawa, Ontario, Canada15 Nov 1907, Fri  •  Page 4

CLIPPED FROMThe Ottawa CitizenOttawa, Ontario, Canada08 Nov 1905, Wed  •  Page 1

CLIPPED FROMThe Ottawa CitizenOttawa, Ontario, Canada10 Oct 1936, Sat  •  Page 2

Craig Shouldice–The first Aitkenhead to come to Canada was David Aitkenhead, in 1886. He was married to Elizabeth McInnes and had 10 children, 4 of whom died young. Two of his sons were George as mentioned here and Robert, who opened the Aitkenhead bakery in Almonte. I think David was the original owner of the Ottawa bakery. I have a picture somewhere of him standing in front of his delivery van and store. George married Rhoda Donovan, his sister Margaret married Rhoda’s brother John Donovan.

Hog’s Back Falls Ottawa –Aitkenhead Photo Collection

How to Make a Vintage Apron- Aitkenhead Photo Collection

The Aitkenhead Family at 20 Frank Street in Carleton Place

What do the Darou Family of Bakers and Minnie the Hooker Have in Common?

Documenting 28 Frank St, Carleton Place

What Happened to the House and Family on Frank Street –Part 1

The Aitkenhead Family at 20 Frank Street in Carleton Place

Before there was Baker Bob’s There was The Almonte Bakery

Wondrous! The Woodcock Bakery

Roy Woodcock Photo -Woodcock’s Bakery

Photos of the Orange Parade Almonte 1963 — Name that Band?

Roy Woodcock Photo -Woodcock’s Bakery

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Down by the Mississippi River- Almonte Falls Photos 50s

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Read the rest of Wednesday’s Posts in The Carleton Place daily-click here

 

 

Photos from the Aikenhead Collection 1950s-Links to previous photos at the bottom.

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Related reading:

What Happened to the House and Family on Frank Street –Part 1

The Aitkenhead Family at 20 Frank Street in Carleton Place

Before there was Baker Bob’s There was The Almonte Bakery

Hog’s Back Falls Ottawa –Aitkenhead Photo Collection

How to Make a Vintage Apron- Aitkenhead Photo Collection

No Banker Left Behind – Bank of Montreal Almonte Photos

 

 

 

( Photo- Ted Hurdis-Ted said: “In front of the falls in Almonte 1920. My grandmother Lillian Blakeley holding the baby , her sister Mae to her right (Mae Mulvey) great gramma Collison front holding my mother Grace hand”.)

No Banker Left Behind – Bank of Montreal Almonte Photos

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Photos from the Aitkenhead Collection- Links to previous photos at the bottom.

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The staff of the Bank of Montreal in Almonte, Ontario 1952

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Charles Kitts accountant at Bank of Montreal Almonte, Ontario

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“Bank of Montreal Gang” 1952- Almonte, Ontario.

 

Update-Craig Shouldice- The Millie Aitkenhead that worked at the BofM in Almonte was Robert Jr’s sister, not his daughter. Robert Jr. has a daughter Millie as well, but she did not work there

READ TODAY’S ISSUE OF THE  TALES OF CARLETON PLACE DAILY-CLICK HERE

 

Related reading:

What Happened to the House and Family on Frank Street –Part 1

The Aitkenhead Family at 20 Frank Street in Carleton Place

Before there was Baker Bob’s There was The Almonte Bakery

Hog’s Back Falls Ottawa –Aitkenhead Photo Collection

How to Make a Vintage Apron- Aitkenhead Photo Collection

 

How to Make a Vintage Apron- Aitkenhead Photo Collection

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Photo of the Boyce family in Pembroke from the Aitkenhead Photo Collection

 Retro Fun: Vintage Style Apron

 

Check out their other articles from Retro Fun

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This apron is another Sew4Home design original, complete with a free downloadable pattern. Love, love, love the sweetheart neckline and matching mini-sweet pockets. And the happy bottom flounce will have you skipping around your kitchen, just like when you used to twirl in your big-girl-fancy-party-dress… oh, don’t even try to tell me you didn’t do that! The Simply Sweet floral fabric has the perfect vintage feel, while the big polka dot accents add a modern zing. Clever knotted ties allow infinite adjustability for the neck and waist so you can make a Retro Fun: Vintage Style Apron for every shape and size of family member and friend.

This project is a bit more advanced than many we offer here at Sew4Home, mainly because the whole darn thing is edged with mitered bias tape binding. But, you can do it. I know you can. Practice makes perfect, right?

A BIG thanks to our new friend, Barbara Jones, the designer of the beautiful Simply Sweet fabric collection for Henry Glass & Company. She very generously provided all the fabric for our retro kitchen projects, and has it all in-stock and available for order on her site, QuiltSoup. We looked at a lot of fabrics for this series, but Barbara’s designs are the ones that jumped right off the page as the perfect vintage kitchen combo. There are additional colorways and designs within the collection. Check it out.

Sewing Tools You Need

Fabric and Other Supplies

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All Simply Sweet fabric is available at QuiltSoup.

  • ¾ yard of 44-45″ fabric for apron front and pockets front: we used Barbara Jones’ Simply Sweet in #5116-8 Floral Diamonds for Henry Glass & Co Fabric
  • 1 yard of 44-45″ fabric for apron back, pockets back and apron flounce back: we used Barbara Jones’ Simply Sweet in #5122-8 Tiny Red Dot for Henry Glass & Co. Fabric
  • ¾ yard of 44-45″ fabric for apron flounce front, waist ties and neck loop: we used Barbara Jones’ Simply Sweet in #5120-82 Jumbo Pink Dot on Red for Henry Glass & Co. Fabric
  • Two 3-yard packages of extra wide double fold bias tape: we used bright red
  • All purpose thread to match bias tape
  • All purpose thread to match all fabrics
  • See-through ruler
  • Fabric pencil
  • Iron and ironing board
  • Scissors or rotary cutter and mat
  • Straight pins

Getting Started

  1. Download and print the Retro Fun Apron Body And Pocket Pattern.
    IMPORTANT: This pattern consists of SIX 8.5″ x 11″ sheets. You must print this PDF file at 100%. DO NOT SCALE to fit the page.
  2. The first page is the pocket pattern. Cut it out along the solid line.
  3. Pages 2-5 are the Apron Body pattern pieces (page 2 is row one all by itself, pages 3 and 4 are row two, and pages 5 and 6 are row three). Butt the pages together, matching the lines, to create the full pattern. Do NOT overlap. Tape together.
  4. Cut out the pattern along the solid line.
  5. Download and print the Retro Fun Apron Flounce Pattern.
    IMPORTANT: This pattern consists of TWO 8.5″ x 11″ sheets. You must print this PDF file at 100%. DO NOT SCALE to fit the page.
  6. Butt the pages together to create the full pattern. Do NOT overlap. Tape together.
  7. Cut out the pattern along the solid line.
  8. From the fabric for the apron front (Simply Sweet Floral Diamonds in our sample), use the pattern pieces to cut one Apron Body and two Pockets.
  9. Following the guides on the pattern piece, use your fabric pen or pencil to mark the placement for the pockets on the Apron Body fabric piece.
  10. From the fabric for the apron back (Simply Sweet Tiny Red Dot in our sample), use the pattern pieces to cut one Apron Body, one Apron Flounce and two Pockets.
  11. From the accent fabric (Simply Sweet Jumbo Pink Dot on Red in our sample), cut three strips 4½” by the width of the fabric, and one Apron Flounce.

At Your Sewing Machine & Ironing Board

Pockets

  1. Match the two pocket fronts with the two pocket backs, right sides together. Pin in place.
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  2. Sew the pocket front and back together, using a ½” seam allowance. Start from the top corner point of the pocket and stitch around to the opposite corner point. Leave the top edge open.
  3. Trim seam allowance to ¼” and turn the pocket right side out. Press.
  4. Repeat to create the second pocket.
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  5. The upper edge of the pocket is finished with bias tape. Open the end of the bias tape so it lays flat. Sew the bias tape to the upper edge of the pocket along the tape’s fold line, lining up the raw edge of the bias tape with the raw edged layers of the pocket. Leave an extra ½” at the start.
  6. Stop at the center point of the pocket. Turn the hand wheel of the machine to make sure the needle is down in the fabric.
  7. Pivot the pocket and gently pull up the bias tape so it matches the edge of the fabric. Continue sewing along the fold line of the bias tape.
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    NOTE: If you’re new to working with bias tape, the number one rule is ‘slow and steady wins the race.’ You’re sewing along a curve, which is trickier than a straight line. For more hints, check out our tutorial: Bias Tape: How To Make It & Attach It.
  8. Back tack at the end of the bias tape seam and trim the tape to leave an extra ½” tail (to match the ½” ‘head’ you started with).
  9. Turn the extra ½” ends toward the pocket lining at each side and pin in place.
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  10. Fold the bias tape and wrap it to the back over the stitching line. Pin in place.
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  11. Place a pin at the pivot point. Then, continue pinning in place along the stitching line. The bias tape will create a natural tuck at the pivot point. Adjust this tuck to create a uniform miter on both sides of the pocket.
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  12. Flip the pocket over, and from the right side, edgestitch the bias tape in place. Press.
  13. Repeat steps 2- 12 to create the second pocket.
  14. Pin the pockets in place on the Apron Front, matching the guide marks you made earlier to the corners of the pockets. You can shift position slightly as needed to match the pattern on the pockets with the pattern on the apron front.
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  15. Edgestitch both pockets in place with matching thread. Remember, just stitch from pocket corner point to corner point. Leave the top bound edge open… that’s where your hand goes.
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    NOTE: If you want to be super fancy and really hide your stitching, start from just below the binding and sew around the pocket, stopping just below the binding on the opposite side. Change your thread to a color that matches your binding, then edgestitch just the top of each side of the pocket along the binding, matching your original seam .

Apron flounce

  1. Match the Apron Front Flounce and the Apron Back Flounce WRONG sides together. Pin along the upper edge.
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  2. Sew along the upper edge, using a ½” seam allowance.
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  3. Clip along the stitched edge, making your cuts about 1″ apart. Be careful not to cut into the seam.
  4. Pin the clipped upper edge of the flounce to the lower edge of the Apron Body Front. Match the front of the Flounce against the right side of the Apron Body Front.
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  5. Place the Apron Body Back over the flounce, right sides together (right sides of the two Body pieces) and with the Flounce sandwiched in between. Align all raw edges and pin in place just along the bottom.
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  6. Sew all the layers together, using a ½” seam allowance. Fold the Flounce down and press the seam toward the Apron Body.
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Bias tape binding

  1. Bring the Apron Body Back up behind the Apron Body Front and match ALL the outside edges. Front and Back should be wrong sides together and all edges raw. This is correct as all the edges will be bound.
  2. Set your machine for a long stitch length and machine baste along ALL outside edges.
  3. Finish the entire edge of the apron with bias tape, using the same technique used for the pockets. Start at a curved edge (along the upper side) and stop and miter at each corner. Fold the bias tape to the wrong side, pin in place. and edge stitch in place on the front side.
  4. This is a lot of binding, but the finished look is fabulous. Again, take a look at our binding tutorial if you need a refresher on attaching bias binding and/or mitering the corners.
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Waist ties and neck loop

  1. Find your three 4½” wide strips of tie fabric.
  2. Cut each strip to a length of 36″.
    NOTE: This measurement is for a standard-size adult apron. It can be adjusted according to the finished size you need… longer for larger, shorter for smaller.
  3. Fold the strips in half lengthwise, right sides together, matching the edges. Pin. At each end, draw a point.
  4. Sew along the edges, using a ¼” seam, and along your drawn points at each end. Leave a 3″ opening for turning.
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  5. Trim the excess fabric around the point seams to ¼”.
  6. Turn right side out, pushing out the points. Press flat, turning in the raw edges of the opening ¼” so they are flush with the sewn seam.
  7. Slip stitch all the openings closed with matching thread. Press again.
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  8. Following the manufacturer’s directions for your machine, make four ¾” button holes.
  9. Place a vertical buttonhole at each top corner point of the bib with the top just below the bias tape and the side approximately ½” in from the bias tape.
  10. Place a horizontal buttonhole at each waist corner with the side just below the bias tape and the top approximately ¼” in from the bias tape.
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  11. Thread one tie through the two bib buttonholes to make the neck loop. Holding the ties in place, slip the loop over your head and adjust the tie ends until the bib hits comfortably against your chest but is still loose enough that it can be pulled off over your head.
  12. When you have it just the way you want it, tie a knot in each end to secure.
  13. Thread one tie through each waist buttonhole. Leave about a 7-8″ tail and tie this into a knot to secure each tie in place.
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No pockets, but you can turn the apron lining side out for another cute look:
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Contributors

Project Design: Alicia Thommas
Sample Creation and Instructional Outline: Michele Mishler

 

Related reading:

What Happened to the House and Family on Frank Street –Part 1

The Aitkenhead Family at 20 Frank Street in Carleton Place

Before there was Baker Bob’s There was The Almonte Bakery

Hog’s Back Falls Ottawa –Aitkenhead Photo Collection